How Is Food at Dallas Homegrown Music and Arts

It was a fantastically gorgeous day over the weekend as the city of Dallas played host to the second annual Homegrown Music and Arts Festival. The 24-hour interval-long festival that resides at Chief Street Garden Park hosts two stages of entertainment and over a dozen vendors who care for visitors to nutrient, art, and literature regarding local organizations and events. The family and pet-friendly effect garnered a wonderful atmosphere and a welcoming end for those who just happened to be passing by or an earshot of the magnetic sounds of the stages. Unlike some festivals that target a specific audience, this event was an exception to that dominion and had a genre of music for everyone. From folk to hardcore and everything in between, this was the identify to exist on Sat.

I arrived shortly after ane and only got to hear a fraction of Slobberbone's offerings but judging from the crowd's reactions, they must have put on a good show. In between the staggered sets, I usually found my fashion to the behemothic Red Balderdash tent where I indulged in a few Shiner Lights and enjoyed a few minutes out of the intense sunlight. The crowd then migrated to the Shiner Stage where local favorites Seryn were setting up and readying to begin their set up. Having seen them a scattering of times within the last few months, I tin safely say they are my favorite local band and they put on amazing performances regardless of the venue. Information technology was not exception this afternoon either. Those blazing harmonies and lush, total melodies, they really grabbed a concord of the audiences attention and did not let become until their last notes were played. Always a adept time when they perform. I afterwards overheard a phone conversation that went something like, "...yes, Seryn? I had no idea. They were ridiculous." Ridiculous was a definite compliment in his context.

Over the next few hours, I casually defenseless each act as they started their performances but later withdrew to the side and enjoyed the music from the confines of a demote or plot of grass. I found myself enjoying the artists on the smaller stage as I really enjoyed the soulful sounds of Larry g(EE), the energetic rock sounds of the Called-for Hotels, the twangy bluegrass of the O'due south, and the fresh dance beats past Ishi. I also really like This Will Destroy You, whose harrowing soundscapes were fantastic and definitely ane of my favorite acts of the day; unfortunately, due to technical difficulties, their set was cut short. Makes me regret not seeing them at Skillful Records a week earlier. Sometime Dallas resident Astronautalis, by mode of Jacksonville, FL, was somewhat of a wildcard on the main stage but proved himself worthy of his time slot past mesmerizing the crowd with his quick tongue and witty, cogitating lyrics. My absolute favorite part of his set was his freestyle whose topics included samurai's, the Devil dating a nun, a girl named Alexa, rutabagas, Pegasus'southward, and Texas Ranger's manager Ron Washington. Information technology was clever and a lot of fun to heed to.

Unfortunately for me, I missed Schoolhouse of Seven Bells' set as I was claiming my spot in lieu of the main stage headliner, Neon Indian. I have caught Neon Indian twice since moving from New York and each time has been better in my opinion; October headlining at Granada Theater and February opening for the Flaming Lips at Palladium Ballroom. I wanted to go a prime spot up front end as I was eager to hear and capture footage of the band'southward new material from their upcoming album. From hearing reports and rumors that they might play upward of 4 or five new songs, I was beside myself and couldn't wait for them to hit the stage. As the large audience flooded forward, Alan Palomo and crew lit up the stage and pulsated a new runway to the expecting oversupply; it was very tricky. The vast majority of the fix included cuts from their debut album, Psychic Chasms, including fan favorites "Terminally Chill", "Should Accept Taken Acid With You", and "Deadbeat Summertime". I was slightly disappointed equally only two songs were debuted, as well as a new guitarist, but overall the set was solid and a corking launching point for their upcoming tour. I did capture the ii new songs on video but out of respect of Alan and his management'due south wishes, I will not post or release them until a later appointment.

In closing, the festival was a fairly huge success and I can speak for myself when I say that I cannot wait until next year's event. Pictures and videos of the festival are beneath:

Seryn